Archive for January, 2010

Welcome to Storyboardtv.com!

Sunday, January 31st, 2010

Hi everyone,

If you are reading this entry, it’s very likely you got here through our recently launched website. Welcome!

For the past few months, this blog has discussed challenges facing the TV industry, new technology, and why television fiction matters. Now that the website and contest has launched, we’ll also be using the blog to talk about scripts we find on site, to interview writers, and to announce new developments with the contest or the website.

And we hope you’ll join in on the discussion. Feel free to leave comments on the blog or on our facebook page. Also, if there’s a topic you’d like to see covered, or if you’d like the chance to become a guest blogger with us, shoot an email over to info@storyboardtv.com.

If you haven’t already, please take a moment today to become a member. It’s free – and with membership you’ll be able to read new television pilots, as well as critique and vote for your favorite ones.

Happy writing/reading!

TV in 3D

Wednesday, January 6th, 2010

According to an article in yesterday’s NY Times, we are on the brink of 3D TV. Manufacturers will soon be releasing 3D capable sets, and the channels aren’t far behind – Discovery, Imax and Sony are partnering on one, and ESPN plans to launch ESPN 3D in June.

I can see how this technology would be cool for nature shows, and even a football game or two, but I just don’t know if I want to be watching something like The Office in 3D. I sort of like the world of television being IN my television, and me being on my couch. I wonder, if all TV eventually turns 3D, will we have more trouble separating ourselves from our fictional friends (see earlier post – Is TV your new boyfriend).

For more about what ESPN is planning, go here.

Your thoughts?

The Cost of TV

Monday, January 4th, 2010

An article in today’s NY Times called “Next Up on Cable TV, Higher Bill for Consumers” does a very good job of explaining just why your cable bill is so high, and why it’s only going to get higher. For people who’ve been following the economic meltdown of the television industry, it’s nothing new – but for me it was interesting to see just how much I pay for channels I rarely, if ever, watch. For example, ESPN costs an average of $4.10 and the Fox Sports Network gets about $2.37 a month. I’m not an ardent sports fan – in fact, I’m not a sports fan of any kind – and yet these channels (and their costs) are bundled into my cable package. Even if I wanted to remove them, I couldn’t. I think at most I watch about 20 channels, and yet I’m paying for hundreds. If I paid for the channels I actually watched, my bill would be something like $20 a month.

Says the Times: “In Washington, where proposals for “à la carte” cable pricing were popular in recent years, some lawmakers and regulators now look to the Web as a more attractive, market-driven solution. Viewers will increasingly be able to bypass pay TV service and watch whatever they like online.”

Sounds good to me. The real question is, without television channels, who is going to fund the production of our favorite TV shows? As Fox has recently demonstrated, advertising alone cannot bring in enough cash to cover costs. Financial support from viewers is needed as well. Right now, this support comes in the guise of the cable bill. But if we were to lose cable, and just pay per show, would viewers be willing to kick in the money to watch?

You’d think that since we already pay for cable, the answer would be yes. And yet, I wager that most people think of their cable cost as an access fee to a world of free content. They would tell you that television should be, and is, free. And they would argue that the networks agree with them, because even without a cable subscription, most of a channel’s shows can be streamed free online.

But as Fox has most recently demonstrated, the status quo is just not sustainable.

My point: the coming revolution in television production (yes, the revolution will be televised) is going to require a complete mental reorganization on behalf on the viewer. If we want to see something, we’re going to have to pitch in to make it. If the audience for a particular show isn’t extremely large, we may have to deal with lesser production values in order to keep it “on the air”. But in this approaching sea change, we might just become more committed to watching shows that really make a difference to us – because hey, this time we’re paying for them.